岡原正幸（社会学者、慶應義塾大学教授）
慶應義塾大学文学部教授西ドイツ・ミュンヘン大学（演劇学専攻）に留学、その後、感情社会学、障害学を専攻。障害者の地域での生活や性に関するフィールドワークや、感情的なコミュニケーションを可能にする感情社会学などを経て、アートベース・リサーチやパフォーマティブ社会学を実践。その中で、ラボとしてはアートワークショップや映像、パフォーマンス作品をチームで制作。またオルタナティブスペースとして「三田の家」の運営。 著作としては『生の技法』1990、『ホモ・アフェクトス』1998、『黒板とワイン』2010、『感情を生きる』2014、『感情資本主義に生まれて』2013、『アート・ライフ・社会学』2020など
Masayuki Okahara
Professor, Faculty of Letters, Keio University Masayuki Okahara studied at the University of Munich, West Germany (majoring in theatre studies), and later specialized in the sociology of emotion and disability studies. After fieldwork on the lives of disabled people in the community and on sexuality, and on the sociology of emotion that enables emotional communication, I have been practicing arts-based research and performative sociology. In this context, in my lab, we create art workshops, video and performance works as a team. We also runs „Mita no ie” as an alternative space. “Arts-Based Research Practices in Sociology: Undergraduate and graduate degree education” with Alena Prusakova. (Kayoko Komatsu et al., Arts-Based Method in Education Research in Japan. Brill-Sense) 2022 “Don’t be afraid to be performative! Doing Performative Social Science at Keio University in Tokyo, Japan” (Kip Jones ed. Doing Performative Social Science: creativity in doing research and reaching communities. Taylor & Francis) 2022
川瀬 慈（映像人類学者、国立民族博物館准教授）
http://www.itsushikawase.com/japanese/
映像人類学者。国立民族学博物館／総合研究大学院大学准教授。2001年より、主にエチオピア北部の地域社会で活動を行う吟遊詩人、楽師たちの人類学研究を行う。同時に人類学、シネマ、アート、文学の実践の交差点から、映像、写真、音、詩を用いた話法を探究。
著書に『ストリートの精霊たち』（世界思想社、第６回鉄犬ヘテロトピア文学賞受賞）、『エチオピア高原の吟遊詩人 うたに生きる者たち』（音楽之友社）、『叡知の鳥』（Tombac/インスクリプト）など。映像作品に『Room 11, Ethiopia Hotel』、『ラリベロッチ-終わりなき祝福を生きる-』、『精霊の馬』、『僕らの時代は』など。 http://www.itsushikawase.com/japanese/index.html
Itsushi Kawase
Dr. Itsushi Kawase is an anthropologist born in Gifu, Japan. His fields of interests are visual anthropology, ethnographic films and ethnopoetics. Since 2001, he has been researching hereditary singer-poets in northern Ethiopia. Kawaseʼs films have been screened at major international ethnographic film festivals. In recent years, he has actively published poems and novels based on his anthropological fieldworks. He has also participated in poetry readings and performances incorporating street sounds from Africa. He is currently an associate professor at the National Museum of Ethnology/Graduate University for Advanced Studies in Japan. He has taught as a guest professor at the University of Hamburg (2013),the University of Bremen (2014, 2016), Shandong University (2016), Mekelle University (2017), Addis Ababa University (2018), etc. https://trajectoria.minpaku.ac.jp/ http://www.itsushikawase.com/anthro-film_lab/
ストーリーテラー：川瀬慈（国立民族学博物館/総合研究大学院大学）
サウンドパフォーマー：矢野原佑史（京都大学アフリカ地域研究資料センター）
Storyteller: Dr. Itsushi Kawase (National Museum of Ethnology/Graduate University for Advanced Studies)
Sound Performer: Dr. Yushi Yanohara (Center for African Area Studies, Kyoto University)
潘律（パン・ルー）（香港理工大学副教授）
https://www.polyu.edu.hk/en/cc/people/academic-staff/dr-pan-lu/
PAN Lu is Associate Professor at Department of Chinese Culture, The Hong Kong Polytechnic University. She was visiting scholar and visiting fellow at the Technical University of Berlin (2008 and 2009), the Harvard-Yenching Institute (2011-2012), researcher in residence at Fukuoka Asian Art Museum (2016) and visiting scholar at Taipei National University of the Arts (2018). Pan is author of three monographs: In-Visible Palimpsest: Memory, Space and Modernity in Berlin and Shanghai (Bern: Peter Lang, 2016), Aestheticizing Public Space: Street Visual Politics in East Asian Cities (Bristol: Intellect, 2015), and her new book Image, Imagination and Imaginarium: Remapping World War II Monuments in Greater China is published by Palgrave Macmillan in 2020. Her films, co-directed with Bo Wang, include Traces of an Invisible City (2016), Miasma, Plants and Export Paintings (2017), which received Award for Excellence, 32nd Image Forum Festival, Tokyo, Japan, and Many Undulating Things (2019). Her most recent film (co-directed with Yu Araki) is based on home videos from various parts of East Asia from the 1960s to 1990s. She was one of the curators of Kuandu Biennale, Taipei, 2018.
シモーヌ・シュイェン・チュン（シンガポール国立大学助教授） ＋チュア・ミンハオ、ズー・シェンブウエイ（シンガポール国立大学建築学部院生）
Simone Shu-Yeng Chung is Assistant Professor at the Department of Architecture, National University of Singapore. She holds a Ph.D. in Architecture and M.Phil. in Screen Media and Cultures from the University of Cambridge. Before pursuing academia, she practiced as a chartered architect in the UK after completing her architectural studies at the Architectural Association and the Bartlett School of Architecture, University College London. She has won several international fellowships such as the CCA Research Fellow in Architecture, Japan Foundation Asian Center fellowship and Rome Scholar in Architecture award.
Her research interests resides in the synergistic potential offered by visual and moving images to architecture and urban research, and issues concerning contemporary culture, conservation and intangible heritage in Asia. Publications include The Hard State, Soft City of Singapore (2020, Amsterdam University Press) co-edited with Mike Douglass, book chapters and peer-reviewed journal articles on architectural and urban research and visual spatial studies. She is a curator for the Singapore pavilion to gather: The architecture of relationships at the 17th Venice Biennale International Architecture Exhibition (2021).
– Relativity 6
Presenter: CHUA Ming Hao, Department of Architecture, National University of Singapore
– Death in Venice Presenter: ZHU Shengbuwei, Department of Architecture, National University of Singapore
https://millennialnomadspace.com